Author |
Message |
Wilson Davey
Member Username: Wilson
Post Number: 129 Registered: 05-2005
| Posted on Sunday, January 13, 2008 - 01:45 pm: | |
Ever find yourself humming the bass line melody ? Obvious contenders I know being "Your turn my turn" but today I cannot shake off Jah Wobble's bass runs that feature all over Screamadelica. I was actually trying to hum the bass line off Tubular Bells and it morphed into "Higher than the sun". Oldfield, Wobble and McLennan...strange bedfellows indeed. |
Michael Bachman
Member Username: Michael_bachman
Post Number: 985 Registered: 01-2005
| Posted on Sunday, January 13, 2008 - 04:46 pm: | |
Joe Jackson - Is She Really Going Out With Him? Graham Maby's bass playing is the underlying strength on the whole Look Sharp! album. |
Geoff Holmes
Member Username: Geoff
Post Number: 309 Registered: 05-2005
| Posted on Sunday, January 13, 2008 - 08:51 pm: | |
The bass playing on David Crosby's "Laughing" is outstanding and has been putting a smile on my face every time I've palyed it in the last 12 months or so. Can't go past McCartneys bass is "Rain" - whoooahh!!! And as for bass LINES, most everything (early) by Les Pattinson was great. |
spence
Member Username: Spence
Post Number: 2056 Registered: 05-2005
| Posted on Sunday, January 13, 2008 - 08:54 pm: | |
The Stranglers - Peaches. Though, Michael's Joe Jackson spot is a touch of unbeatable vision. Chic - Good times. |
Jeff Whiteaker
Member Username: Jeff_whiteaker
Post Number: 931 Registered: 10-2004
| Posted on Monday, January 14, 2008 - 05:36 am: | |
Japan - Visions of China Go-Betweens - Cattle & Cane, Part Company Blue Nile - Walk Across the Rooftops The Jam - Dreams of Children (that chorus!) Cocteau Twins - Wax and Wane Beach Boys - That's Not Me Spence - Definitely agree about the Stranglers. JJ Burnel's bass sound was unbeatable. The most guttural bass tone ever. |
Michael Bachman
Member Username: Michael_bachman
Post Number: 986 Registered: 01-2005
| Posted on Monday, January 14, 2008 - 04:52 pm: | |
Gang Of Four - Entertainment! Dave Allen's punk-funk bass is a wonder. Maybe the best bass player I've seen live. |
kevin
Member Username: Kevin
Post Number: 2023 Registered: 05-2005
| Posted on Monday, January 14, 2008 - 05:19 pm: | |
Jeff, the bassline to Wax and Wane was played by my sisters husband Will (aka Bill) Heggie. The silver disc of the album Garlands hangs proudly in a wall mounted frame in their house. To the best of my knowledge Bill has not picked up a bass in at least 5 years now. |
Jeff Whiteaker
Member Username: Jeff_whiteaker
Post Number: 932 Registered: 10-2004
| Posted on Monday, January 14, 2008 - 05:41 pm: | |
Kevin - that's very cool. Didn't Will Heggie go on to play in Lowlife? I was always very enamored with his bass playing - he often carried the song in a pretty distinctive way. The Cocteau Twins always seemed to have wonderful bass parts, so I quite like Simon Raymonde's playing too. Michael - How could I have forgotten Gang of Four? Dave Allen's bass on both Entertainment and Solid Gold is thoroughly awesome. Sara Lee's playing on Songs of the Free is quite good too. Also forgot to mention Peter Hook: the bass in JD's 24 Hours is pretty incredible, as is She's Lost Control, just to name a few. And another I neglected to mention: the Minutemen. Mike Watt was a genius. Oh, and Flipper - Love Canal |
Wilson Davey
Member Username: Wilson
Post Number: 131 Registered: 05-2005
| Posted on Monday, January 14, 2008 - 05:45 pm: | |
I don't think anyone pushed the bass as far up in the mix as Burnel. A great example is a very untypical Stranglers track (and failed single) La Folie which I really love. JJB sings it himself in french and it sounds like something from a 1960's french film, all off-kilter slow organ and a great spindly guitar line...yet another film that Rachel Worth might have appeared in etc. The Fall must get a mention for having only used 3 bass lines for over 30 years ! Cruisers Creek a great example. I agree about Les in the Bunnymen, him and Pete de Freitas are unsung heroes and obviously overlooked at times due to Mac being such up front star quality and Will's sonic explorations. The first track on Crocodiles "Going Up" especially when opening the live show, building through the gregorian chant before the riff kicks in, was just mesmerising. |
Jeff Whiteaker
Member Username: Jeff_whiteaker
Post Number: 934 Registered: 10-2004
| Posted on Monday, January 14, 2008 - 06:07 pm: | |
As much as I love the Bunnymen (and I do love them), I always felt Les Pattinson was a bit of a weak link. His basslines were often a little too circular and repetitive for my tastes. Like he'd just play 3 notes over and over and over again in this very circular way. I love simplicity, especially when it comes to bass, but I felt like there were times when Pattinson's approach kind of limited where the Bunnymen's music could go. That said, I certainly wouldn't change a note on any of their classic-era records, so at the end of the day, it doesn't matter. Pete de Freitas, on the other hand, might just have been post-punk's answer to John Bonham. I see him as the Bunnymen's secret weapon. One of music's most unspeakably heinous crimes was the idiot who shackled de Freitas to click tracks and midi-triggers on the "grey" album. |
kevin
Member Username: Kevin
Post Number: 2024 Registered: 05-2005
| Posted on Monday, January 14, 2008 - 06:39 pm: | |
Jeff, yes Bill was the main man in Lowlife.I know the rest of the guys as well, Craig the singer and Grant the drummer especially. Grant is now a policeman!! I met Simon Raymonde numerous time in the late 80s and he is a real down to earth guy, no airs and graces at all. He now runs the Bella Union record label. |
Rob Brookman
Member Username: Rob_b
Post Number: 1098 Registered: 08-2006
| Posted on Monday, January 14, 2008 - 07:39 pm: | |
How about "Walk on the Wild Side"? That bass line is pretty epochal. And "Under Pressure." And pretty much anything by Charles Mingus. |
kevin
Member Username: Kevin
Post Number: 2025 Registered: 05-2005
| Posted on Monday, January 14, 2008 - 07:46 pm: | |
Philidelphia from Correct Use of Soap |
Jerry Clark
Member Username: Jerry
Post Number: 765 Registered: 08-2004
| Posted on Monday, January 14, 2008 - 07:49 pm: | |
Public Image's - Death Disco & Poptones New Order's - Run2 & Regret Talk Talk's - My Foolish Friend It's My Life Talking Heads - Psycho Killer Fairly obvious stuff! |
Wilson Davey
Member Username: Wilson
Post Number: 135 Registered: 05-2005
| Posted on Monday, January 14, 2008 - 08:17 pm: | |
Exactly so Jeff, Heads will roll has that bass template bass loop that I feel constrains the song, the album version is lame, when played live in 83 with the added percussion and strings it soared. At the time they went acoustic/cellos and De Freitas took up the brushes they were my favourite band. Ocean Rain was overpolished, I bet the demos were amazing. I think I posted elsewhere that my bootleg tape of the Albert hall gig had rawer and slightly faster versions of Silver and Killing Moon, by the time the LP came out they had overworked them I feel.The Tube performance at the back of 83 was great though. No other band that I can think of could conjure up that atmosphere. Was it around this time that he worked with Colourfield deploying a similar feel ? I think it prompted Mac to say to Pete "You can only spread the bunnymen salmon pate so far before it ends up as Tuna !" |
Randy Adams
Member Username: Randy_adams
Post Number: 1507 Registered: 03-2005
| Posted on Tuesday, January 15, 2008 - 01:52 am: | |
Funky Kingston -- Toots & the Maytals Zig Zag Wanderer -- Captain Beefheart & the Magic Band Love Your Enemies -- Microdisney |
Jeff Whiteaker
Member Username: Jeff_whiteaker
Post Number: 938 Registered: 10-2004
| Posted on Tuesday, January 15, 2008 - 05:00 am: | |
Orange Juice - Rip it Up |
Michael Bachman
Member Username: Michael_bachman
Post Number: 989 Registered: 01-2005
| Posted on Tuesday, January 15, 2008 - 11:04 am: | |
Wislon, I agree with you regarding the Killing Moon version that ended up on the Ocean Rain album in 1984. The 1983 "All Night" version of Killing Moon that appeared on the ep with the live version of Do It Clean was much superior to the album version. |
spence
Member Username: Spence
Post Number: 2061 Registered: 05-2005
| Posted on Tuesday, January 15, 2008 - 12:22 pm: | |
Actually, there was a great pic of Bunnymen in Mojo last month I think, from 1980/81. If a band were to ask what they should sound and look like today, then that photo has it all. I saw Bunnymen live, all I can say is that they all shone out as magnificent players. I happen to think that they were all brilliant. Personalities aside. Jeff, even though you say Les his style was circular, his effect was much more than this, there was something absolutely magical about these guys when they were all playing live together. DeFreitas, was truly original, damn damn shame that guy died. I remember feeling gutted and distraught when it made the news in '89. He'd just appeared in a lovely video at the time with Cope and he looked great and very cool. Do it CLean live, awesome. |
David Gagen
Member Username: David_g
Post Number: 134 Registered: 02-2007
| Posted on Tuesday, January 15, 2008 - 01:04 pm: | |
Just about any song on Cure's first coupla albumns, 17 Seconds and 3 Imaginary Boys/Boys Don't Cry |
spence
Member Username: Spence
Post Number: 2063 Registered: 05-2005
| Posted on Tuesday, January 15, 2008 - 02:01 pm: | |
Michael Dempsey is that David? He's a fantastic bassist, especially on The Associates Sulk album, Club Country etc, where did he get that from?!! |
Jeff Whiteaker
Member Username: Jeff_whiteaker
Post Number: 939 Registered: 10-2004
| Posted on Tuesday, January 15, 2008 - 05:15 pm: | |
Oh yeah, Michael Dempsey. He was on the first Cure album, then left to join the Associates. He was a great bassist - very melodic, kind of busy in a good way. His work for the Associates, especially on "Sulk," like Spence mentions, is fantastic. "Party Fears Two" is a pure classic, and Dempsey's bass on that is pretty nuts (as it is on Club Country). Dempsey then joined the Lotus Eaters and played on their excellent album "No Sense of Sin." Simon Gallup replaced Dempsey in the Cure, and his playing was very different, but also really nice. He usually had a wonderfully full tone, and often carried the songs more than Robert Smith's guitar parts. |
Jeff Whiteaker
Member Username: Jeff_whiteaker
Post Number: 940 Registered: 10-2004
| Posted on Tuesday, January 15, 2008 - 05:28 pm: | |
You know who else was an incredible bassist? Andy Rourke. I'm not sure how much of his parts he actually wrote, but brilliant bass lines abound with the Smiths. A few that come immediately to mind: Hand in Glove This Night Has Opened My Eyes Rusholme Ruffians Well I Wonder |
Jerry Clark
Member Username: Jerry
Post Number: 766 Registered: 08-2004
| Posted on Tuesday, January 15, 2008 - 06:13 pm: | |
Robert Vickers on Head full Of Steam is an exceptional melody, very much like Andy Rourke's playing. Happy Mondays' Paul Ryder had an amazing sound going on Squirrel... & the Bummed LP's |
Jeff Whiteaker
Member Username: Jeff_whiteaker
Post Number: 941 Registered: 10-2004
| Posted on Tuesday, January 15, 2008 - 06:46 pm: | |
Agreed about Vickers on Head Full of Steam, Jerry. Vickers remains one of my very favorite bassists. He always came up with basslines that were thoughtfully melodic but understated when they needed to be. His bass part for Twins Layers of Lightning is equally brilliant. I always particularly liked what he does on Five Words, too. It's simple, but it's in this slightly odd timing, and it complements the guitars perfectly. Others that immediately spring to mind are Rare Breed, Spring Rain, I Just Get Caught Out, and To Reach Me. |
spence
Member Username: Spence
Post Number: 2065 Registered: 05-2005
| Posted on Tuesday, January 15, 2008 - 08:26 pm: | |
Andy Rourke Jeff, egffin ell guv'nor, what an unbeliveable bassist, truly truly original, youcould tel he was a natural just by looking at him playing live, Barbarism begins at the home, I taped on an old tape recorder and played it to death when I was 15, couldn't get enough, still a remarkable bassline to this day. His Meat is Murder presence is still tops |
Jeff Whiteaker
Member Username: Jeff_whiteaker
Post Number: 942 Registered: 10-2004
| Posted on Tuesday, January 15, 2008 - 10:06 pm: | |
Spence - yeah, Rourke's bassline for Barbarism Begins at Home is a scorcher! My friends and I spent hours getting that one down when we were 15 too! Anyone who could play that one decently instantly earned the respect of all the other musician geeks I hung out with. |
Wilson Davey
Member Username: Wilson
Post Number: 138 Registered: 05-2005
| Posted on Tuesday, January 15, 2008 - 11:38 pm: | |
Marr and Rourke were funksters pre Smiths and I believe that bass riff workout was a hangover from those days. The bass sound was definately integral, listen to Heamaster Ritual and the intertwining is evident of a strong musical chemistry between the two. Mozz's vocals pitched between the two made the sound complete and unique but as this is thread is about bass let's raise a glass for the overlooked Rourke for so much contribution in such a short space of time, I mean just 5 bloody years and so much great music. Considering 5 years ago was Jan 2003 ! But then again as Moz once said between songs "Try to enjoy yourself....life is very long" |
David Gagen
Member Username: David_g
Post Number: 136 Registered: 02-2007
| Posted on Wednesday, January 16, 2008 - 12:48 am: | |
Thanks guys, wasn't aware Dempsey went to Associates. I think I'm gettin educated here!! |
spence
Member Username: Spence
Post Number: 2069 Registered: 05-2005
| Posted on Wednesday, January 16, 2008 - 08:48 am: | |
I always liked Vickers bass style AND sound AND dance of course!, esp on record. The bass on Liberty Belle sounds really 60's and cool. |
Michael Bachman
Member Username: Michael_bachman
Post Number: 999 Registered: 01-2005
| Posted on Thursday, January 17, 2008 - 04:59 pm: | |
One of the most famous bass opening lines is Berry Oakley's on the Allman Brothers Band song Whipping Post. |
Jerry Clark
Member Username: Jerry
Post Number: 771 Registered: 08-2004
| Posted on Thursday, January 17, 2008 - 05:43 pm: | |
Sugarcubes - Mama & Birthday - of course. RV's playing is the best thing about Spring Hill Fair. Is it Robert or Grant playing On River Of Money? That's a fine bass tune! |
Catherine Vaughan
Member Username: Catherine
Post Number: 412 Registered: 05-2005
| Posted on Friday, January 18, 2008 - 10:40 am: | |
The Triffids - Stolen Property Maybe it doesn't count as a "bass-line" but those big brooding booms work for me. Powerful |
Mark Leydon
Member Username: Mark_leydon
Post Number: 163 Registered: 05-2005
| Posted on Sunday, March 16, 2008 - 09:49 pm: | |
Don't Look Any Further - Dennis Edwards One of THE great bass lines from this late-80s soul-funk classic by ex-Temptations singer Dennis Edwards. And they don't make videos like this anymore (thank God!): http://youtube.com/watch?v=3J8kjWfV9xw And here's a video showing just how to play that damn thing: http://youtube.com/watch?v=Fnr9MMZPv00 |
joe
Member Username: Dogmansuede
Post Number: 397 Registered: 07-2006
| Posted on Monday, March 17, 2008 - 01:40 am: | |
whenever i hear the word "bass line" i immediately think of the pixies' gigantic. the mac's "tusk" and "the chain" are both old faves too... new order, japan, that first blue nile album - class. |
Ewan Talisker McEwan
Member Username: Ewan_mcewan
Post Number: 87 Registered: 02-2008
| Posted on Monday, March 17, 2008 - 02:14 am: | |
Ye good ole standby for me is the baseline from "Town Called Malis" by the great Jam! Another nice one is from I Gotcha by Joe Tex. |
spence
Member Username: Spence
Post Number: 2226 Registered: 05-2005
| Posted on Monday, March 17, 2008 - 09:27 am: | |
JOe, its always Debaser for me. |
Gee
Member Username: Gee
Post Number: 22 Registered: 11-2005
| Posted on Monday, March 17, 2008 - 10:29 am: | |
"As much as I love the Bunnymen (and I do love them), I always felt Les Pattinson was a bit of a weak link. His basslines were often a little too circular and repetitive for my tastes. Like he'd just play 3 notes over and over and over again in this very circular way." Wow. That's precisely what appeals to me so much about Les Pattinsons playing. I think there's a real art to keeping a circular bass riff over shifting chords, and he's the master of it - might well have been down to lack of technique, but the Bunnymen made real virtues from their limitations. Can I nominate 'Sleeping Gas' by the Teardrop Explodes for similar reasons? |
Michael Bachman
Member Username: Michael_bachman
Post Number: 1088 Registered: 01-2005
| Posted on Monday, March 17, 2008 - 07:20 pm: | |
Jah Wobble on PiL's Metal Box. |
Ewan Talisker McEwan
Member Username: Ewan_mcewan
Post Number: 90 Registered: 02-2008
| Posted on Tuesday, March 18, 2008 - 02:37 pm: | |
the basss line from Life Begins at the hop (la la la la la) by XTC. |
Randy Adams
Member Username: Randy_adams
Post Number: 1574 Registered: 03-2005
| Posted on Tuesday, March 18, 2008 - 02:57 pm: | |
Josef k -- Drone |
Michael Bachman
Member Username: Michael_bachman
Post Number: 1092 Registered: 01-2005
| Posted on Tuesday, March 18, 2008 - 04:13 pm: | |
Dave Allen's bass on Gang of Four's Damaged Goods. Jimmy Garrison's four note bass line starts out A Love Supreme and before Coltrane reaches for heaven. |
Jerry Clark
Member Username: Jerry
Post Number: 803 Registered: 08-2004
| Posted on Tuesday, March 18, 2008 - 04:22 pm: | |
The Jam - Funeral Pyre & Tales From The Riverbank Man O' Sand... & Radio Free Europe. Very good & similar to my ears! |
spence
Member Username: Spence
Post Number: 2231 Registered: 05-2005
| Posted on Tuesday, March 18, 2008 - 08:01 pm: | |
Randy, I love the Simmons drum pad Josef K used on this and other songs written around this period. I remember a friend of mine his brother used to play them in various bands, once supporting Joy Division, and the sound just stuck with me forever. Josef K - Heads Watch |