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Matsrep
Member
Username: Matsrep

Post Number: 63
Registered: 10-2005
Posted on Wednesday, May 07, 2008 - 12:02 pm:   

today:

http://www.pitchforkmedia.com/article/re cord_review/50325-the-evangelist

7.6 out of 10.
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Rob Brookman
Member
Username: Rob_b

Post Number: 1140
Registered: 08-2006
Posted on Wednesday, May 07, 2008 - 03:08 pm:   

You beat me to it, Matsrep. I don't agree with a lot of the conclusions here, and the reviewer sort of dismisses two of my favorite songs on the album, but I guess it's a generally positive review. Although in typical Pitchfork emo-journalism fashion he takes the album-as-eulogy storyline and strokes and strangles it 'til it's blue in the face and ready to burst. But if it introduces a few kids to Mr. Forster and the GBs, it can't be all bad.
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Jeff Whiteaker
Member
Username: Jeff_whiteaker

Post Number: 1207
Registered: 10-2004
Posted on Wednesday, May 07, 2008 - 05:04 pm:   

Yeah, the review is a bit simple-minded in its approach, sticking too closely to the McLennan angle, not really acknowledging the other layers that pertain more specifically to Forster. But in a way I'm kinda glad they bothered to review it (and any of the Go-Betweens mach II albums) at all. They're kind of selective with some of the lesser known oldies.
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Alfredo L Soto
Member
Username: Alfred_soto

Post Number: 18
Registered: 05-2005
Posted on Wednesday, May 07, 2008 - 10:44 pm:   

It's a fine review, and in all fairness to Rob, I always skip "Don't Touch Anything" too.
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Hugo
Member
Username: Hugo

Post Number: 29
Registered: 06-2005
Posted on Thursday, May 08, 2008 - 11:30 am:   

I like "Don't Touch Anything". Perhaps not his most original song though.

I think the reviewer is right that in a way it's not a solo album, it's a Go-Betweens album in which Grant has only a ghostly presence. That makes it haunting, obviously, but incomplete too. In the listener (this listener anyway), there's a yearning to know what the album would have been like if Grant had stuck around long enough. There's an expectation that you'll hear Grant chiming in at some point. That tantalising quality is both the album's strength and its weakness.

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