| Author | 
Message | 
 
      
  David O Mahony
 Member Username: David_om
  Post Number: 1 Registered: 08-2006
  | | Posted on Thursday, January 25, 2007 - 01:11 pm:    |  |  
  I have an old video of the band playing in the Manhattan Club, Bradford, April 1983, which I bought in HMV, London some years ago. There is a martial arts film being projected behind the band during the entire gig. Does anyone know why? Was it part of the show? |  
      
  Jeff Whiteaker
 Member Username: Jeff_whiteaker
  Post Number: 478 Registered: 10-2004
  | | Posted on Friday, January 26, 2007 - 11:36 pm:    |  |  
  I've often wondered that myself. I just assumed it was something that particular venue did to be kind of artsy, you  know, show obscure cult films in the background while bands play. I doubt it was something the Go-Betweens had anything to do with, though I could certainly be wrong. |  
      
  spence
 Member Username: Spence
  Post Number: 1199 Registered: 05-2005
  | | Posted on Saturday, January 27, 2007 - 09:51 am:    |  |  
  God you can smell the nicotine stained walls of that club just by watching this video. You can smell the poverty of too somehwhere like Bradford would've ben going through at that time too. Its great. I love the way Lindy smiles for the camera!  It actually looks like something filmed in 1965, though in colour.  Deserves to be YOUTUBED! |  
      
  fsh
 Member Username: Fsh
  Post Number: 94 Registered: 05-2005
  | | Posted on Saturday, January 27, 2007 - 03:24 pm:    |  |  
  It was the Go between's presursor to Zoo TV. |  
      
  david pestorius
 Member Username: David_pestorius
  Post Number: 58 Registered: 08-2005
  | | Posted on Sunday, January 28, 2007 - 04:10 am:    |  |  
  Sorry to disappoint, but RF has said that the Bradford projection was not their doing (or otherwise presented in consultation with them). He talks about the Bradford show in the 1999 issue of Axe magazine, which was devoted to his approach to electric guitar playing. You can freely down-load the issue in question from my website. The relevant part is at the top of p.4.    http://www.davidpestorius.com/publicatio ns.html |  
      
  spence
 Member Username: Spence
  Post Number: 1202 Registered: 05-2005
  | | Posted on Sunday, January 28, 2007 - 09:30 am:    |  |  
  http://www.davidpestorius.com/text/AXE_N o14_1999.pdf    Great article thanks. |  
      
  Donat
 Member Username: Donat
  Post Number: 243 Registered: 11-2004
  | | Posted on Sunday, January 28, 2007 - 11:57 am:    |  |  
  It's a great and very informative interview - good to see it in pdf form.     I like Robert's stance on pedals - I think they're a pox on rock 'n' roll at the best of times, a bit like drum machines.     Forster is extremely underrated as a guitar player - it's a shame, really. He's takes the best of Reed, Fogerty and Byrne and makes it his own. |  
      
  spence
 Member Username: Spence
  Post Number: 1207 Registered: 05-2005
  | | Posted on Monday, January 29, 2007 - 09:17 am:    |  |  
  Donat well put. When I was a young lad! (here he goes again), I was blown away by the guitar playing, style and overall sound of The House that Jack Kerouac built. Those chords and the way they sound like he invented them and the way they are played, stirring up the passion, its truly remarkeable that song is, to this day. Of course, the rest of the muscicanship was well up to sctratch.    Re pedals, yep i've never been a fan, though I can see why they are used. I couldn't see Robert ever using one live could you, its not his style, he's a plug and play magician. Most of the music I liked growing up was pug n play. I also preferred the floating or Bigsby trem to the twisted Sister locking trem, that can make a big difference to your credibility!!!!!    I always remember the first time I saw My Bloody Valentine, i thought great, they are playing FENDERS and Jaguars in particular, then all I heard was NOISE! Ugh! Josef K never did that, televsion never did that.    I used to watch Peter Astor (weather prophets) closely live, once supporting GoBees at Wolverhampton Poly, and he used a compression box, to fatten the sound out for his guitar breaks (he was an axcellent guitarist), now to me that is acceptable.    I used to use a compression box with my Jag, as Jag's have a tendencey to sound thin if you don't habe the right amp, I also had a Turbo Overdive to lift big sounding tunes, and a delay, i was big John 'Solid Air' Martyn fan, and I hung around and played with the Blue Aeroplanes too much not to have a delay pedal, but used rightly, and even for that rockabilly slapback sound, these sorta pedals canenhance guitar sounds. IMHO    Have a good week all, wherever you are! |  
      
  David O Mahony
 Member Username: David_om
  Post Number: 2 Registered: 08-2006
  | | Posted on Monday, January 29, 2007 - 10:30 am:    |  |  
  Thanks for that great article David. Initially I thought Grant being the film buff had gone for a multimedia style gig but when the camera pans over during ‘Cattle and Cane’ and his wonderfully evocative lyrics are being matched by a six shades melee in the background I thought perhaps this isn’t what he might have wanted.  I always thought that the lack of excessive pedal usage helped to give the GBs music a timeless quality. |  
      
  spence
 Member Username: Spence
  Post Number: 1302 Registered: 05-2005
  | | Posted on Saturday, March 03, 2007 - 12:07 pm:    |  |  
  This VHS only release would be great on a DVD along with the rave stuff and studio 22 by the sounds of it, any chance Lomax/Tuiton? |  
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